Enrollment for this course has closed. But you can enroll in a future offering (please select)
Not available for purchase in India
Enrollment for this course has closed. But you can enroll in a future offering (please select)
Not available for purchase in India
This course will focus on the application of historical and experimental analog electronic, recording, and studio techniques to deepen an understanding of the building blocks of sound creation. Presenting this course is instructor Seth Cluett, artist-in-residence at Nokia Bell Labs and instructor at Columbia University’s Computer Music Center.
By translating classic techniques ranging from Musique Concrete and Elektronische Musik to the studio experiments of Dub mixing and Les Paul into modern production platforms, composers, sound designers, sound editors, and independent filmmakers can expand their craft outside of their routine practices. Learners will create their own compositions using Ableton Live 10 and Audacity while drawing from the rich legacy of invention in electronic and experimental music. Session planning, score, and production analysis exercises will complement both small-scale sound creation and large-scale structural thinking for music production workflow.
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Below you will find an overview of the Learning Outcomes you will achieve as you complete this course.
Seth Cluett is a composer and visual artist who creates work that explores everyday actions at extreme magnification, examines minutae by amplifying impossible tasks, and tries to understand the working of memory in forms that rethink the role of the senses in an increasingly technologized society. Ranging from photography and drawing to installation, concert music, and critical writing, his “subtle…seductive, immersive” (Artforum) sound work has been characterized as “rigorously focused and full of detail” (e/i) and “dramatic, powerful, and at one with nature” (The Wire). The recipient of grants from Foundation for Contemporary Arts Emergency Fund and Meet the Composer, his work has been presented internationally at venues such as The Whitney Museum, MoMA/PS1, Moving Image Art Fair, CONTEXT Art Miami, GRM, and STEIM. His concert work has been commissioned by ensembles ranging from the Hong Kong Sinfonietta and the International Contemporary Ensemble to So Percussion, Catch Guitar Quartet, and Clogs and is documented on Line, Sedimental, Notice, and Winds Measure recordings. Cluett is the Assistant Director of the Computer Music Center and Sound Art Program at Columbia University and is Artist-in-Residence with Experiments in Art and Technology at Nokia Bell Labs where he maintains a studio and is active in research on virtual and augmented reality acoustics and multi-sensory communication.
Equipment: Midi controller with at least one knob and one fader + audio interface or computer with two input and two output channels.
Software: Ableton Live 9 (or 10) with Max for Live and Audacity. Prior experience with Ableton Live may be helpful in this course.
Please note: Taking part in a Kadenze course as a Premium Member, does not affirm that the student has been enrolled or accepted for enrollment by Columbia University.
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